Amhi Asu Laadke is a Marathi movie released in 2006. Produced by Abhiram Bhadkamkar, Amita Ambekar & Hemant Patil. Directed by Abhiram Bhadkamkar. Soul stirring drama of "special children" & a young man's journey to explore true meaning of life.

Based on Gauri Deshpande's short story 'Paus Aala Motha', the film is about a strange relationship between a girl and her step-mom.

Depicts Manoj Jarange Patil's struggle to fight for Maratha reservation.

故事中与父亲一同上山修行的主角少年剑士乌丸与一，终于在某日下山并回到都市之中。而在他寄住的斑鸠道场中遇上了同流派的斑鸠家四姐妹，描绘住在同一个屋檐下的与一和众人发生的事情就是本作的主轴。

Shridhar Pant is an honest and kind hearted businessman who lives happily with his wife Laxmi and daughter Vaijayanti. However, Shridhar Pant's partner Shamrao Khapartonde takes advantage of his trusting nature. He advances some business loans to Pant and tricks him into signing everything he owns as mortgage. Khapartonde now threatens to ruin Pant if he does not agree to the marriage of his daughter to Khapartonde's mentally challenged son. Meanwhile, Santaji, Dhanaji and Sayaji land up at Pant's doorstep. They explain to Pant that they are travelers and Pant offers to put them up at his house for a few days. It so happens that these men are hardened criminals who are on the run after escaping from prison. The real reason for their arrival is to rob Pant of his wealth. But once they live in his house, they learn of the troubles that have befallen Pant. The criminals have a change of heart and decide to set things right.

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暂无剧情简介

At the beginning was the Slovak television series Lekár umierajúceho czasu (Doctor of Dying Time), dedicated to the Rudolphine-era scientist Jan Jesenius. He ended up on the scaffold along with other gentlemen after losing the anti-Habsburg uprising. When director Miloslav Luther conceived the idea of making an abridged version of the footage for cinema, he had to not only rebuild the storyline but also dub it into Czech. However, the result was only an illustrative puzzle, describing the various stages of the hero's turbulent life.

美国新电影杰作《我们没有明天》因其壮烈的最后场景而在电影史上永留声名。或许可以说，持续进行的越南战争泥沼给整个社会带来的闭塞感催生了那个最后场景。不过，不可否认的是，这个场景也让人感到极度绝望和无奈。 而我们的同志电影《我们有明天！》有着充满希望的最后场景，能极大地鼓舞人心。这就是“没有明天”和“有明天！”的区别。一部是诞生于弥漫着闭塞感的60年代末美国的作品，另一部是出自同志氛围积极的现代日本的影片，二者差异显著。 一个阔别十多年从监狱出来的男人，本以为会受到组长的热情迎接，可组长却沉迷于打造新的男人。甚至，组长把他给卖了。被背叛的男人抢走了组长的新男人，两人一起去抢高利贷，结果……

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